Travelogue

Travelogue presents traditional, acoustic folk music from around the world, by focussing in depth on outstanding records (vinyl & cd), released by specialised labels, ethnographic museums, radio stations and cultural institutions that record, collect and study the musical traditions of (indigenous) peoples and societies from all corners of the globe. This often endangered music is part of the intangible cultural heritage of mankind and needs to be preserved for future generations, as a celebration of cultural diversity, creativity and inventiveness. In the tremendously vast field of folk music we travel in the footsteps of renowned music collectors and ethnomusicologists, whose aim was not only to study the structure of traditional music, instruments and vocal traditions, but to show also that in many societies, music is not an independent art form to be enjoyed for its own sake, but an integral part of the culture. In traditional societies, music accompanies every human activity, from the cradle to the grave. Bram De Cock

Travelogue

Travelogue

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                "title" => "Travelogue"
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                "text" => """
                  Travelogue pays tribute to global traditional folk music, focussing on the work of field recordists, ethnomusicologists and intrepid music collectors. In this show, discover amazing music from Vietnam, Gabon, French Guiana, Jordan, Iran, Italy and Haïti.\r\n
                  \r\n
                  Viêtnam: anthologie de la musique êdê (cd, Buda Musique, 2000)\r\n
                  A collection of songs of the Êdê people from the Dak Lak plateau in Vietnam. Each instrumental or vocal form is meant to accompany one ritual or another, following the calendar of seasonal works or occasional events (the first rain, the new rice harvest, the new year, building a house, funerals...).\r\n
                  \r\n
                  Recorded by Patrick Bersalé, 1997-98.\r\n
                  - Ama Nuên: Cithare sur calebasse (Bro')\r\n
                  - Y-Yoi Hwing: Guimbarde\r\n
                  - Yă H'Riu: Aê Rêi\r\n
                  - Yă H'Phũt: Souffler Les Tuyaux En Chantant Le Aê Rêi\r\n
                  - Yă H'Riu: Sangloter\r\n
                  - Ama Nuên, Ama Wơn & Ama H'Nga: Polyrithmie de bambous percutés (Cing Kram)\r\n
                  - Peuple Êdê: Ensemble de gongs - Salutation aux invités\r\n
                  \r\n
                  Gabon. Musiques des pygmées Bibayak/chantres de l'épopée (cd, Ocora, 1989)\r\n
                  Vocal polyphonies of the Bibayak pygmies of Gabon, who call themselves Baka Bambuké. The music erupts in a broken vocalizing of pure sounds, a technique known as 'yodeling', mostly reserved for women (while men are assigned to percussion and dance). These polyphonies can hold up to 8 voices, entering successively, adjusting to one another in canons and imitations.\r\n
                  \r\n
                  Recorded by Pierre Sallée, 1966 & 1973.\r\n
                  - baka bambuké:: séquences polyphoniques: a) 5 voix et tambour b) et c) choeur et percussions\r\n
                  - baka bambuké: séquences polyphoniques: suite\r\n
                  - baka bambuké: mebasi - jeu vocal (a,b)\r\n
                  \r\n
                  Wayāpi de Guyane. Un visage sonore d'Amazonie (cd, Le chant du monde, 1998)\r\n
                  The Wayãpi, totalling around 1000 people, live in the Amazon rainforests of northeastern Brasil\r\n
                  and southern French Guiana. Their repetitive music is inseparable from the natural\r\n
                  environment, reaffirming the pleasure of living, celebrating fish, birds, maize, dragonflies,\r\n
                  manioc beer... Apart from different types of panpipes and the sounds of rubbed turtle-shells, the\r\n
                  low, rough sounds of the 'tule', large unisono clarinets made of reeds and bamboo tubes,\r\n
                  without finger-holes, are remarkable here.\r\n
                  \r\n
                  Recordings: Jean-Michel Beaudet, 1977, 1978, 1979, 1981, 1995\r\n
                  - Forêt, le matin\r\n
                  - So' okānge - Solo de flûte en os à encoche\r\n
                  - Kasili - "La Bière de Manioc" (Flûte de Pan et Carapace de Tortue frottée)\r\n
                  - Répertoire Tulekalanā - "Ton village mon amour !"\r\n
                  - Tasia - répertoire Pilatule "La danse des poissons"\r\n
                  - Répertoire Moyotule - "Le Toucan"\r\n
                  \r\n
                  Inedit: Jordanie. Chants bédoins, Chants de mariage, Chants des pêcheurs d'Aqaba (cd,\r\n
                  Maison des cultures du monde, 1998)\r\n
                  Singing is considered the most genuine expression of Jordanian life; the instruments generally\r\n
                  play a secondary role, and those which are used imitate the sound of the human voice. Popular\r\n
                  instruments are the one stringed bowed lute (rebâb), the flute (nây), the ten stringed lyre\r\n
                  (simsimiya) and hand clapping (sahja) or feet stamping (dabkeh).\r\n
                  \r\n
                  Recorded by Pierre Bois, 1997\r\n
                  - Jamal Khleif: Dahiya, samer (Chant Bédouin)\r\n
                  - Majdoulin Hattar, Aniseh Hattar, Rabita Hattar, Badiya Hattar: Ya Shajirat Al-tufah (Chant de\r\n
                  Mariage)\r\n
                  - Majdoulin Hattar, Aniseh Hattar, Rabita Hattar, Badiya Hattar: Men Al-sabah L-al-'asr (Chant\r\n
                  de Mariage)\r\n
                  - Majdoulin Hattar, Aniseh Hattar, Rabita Hattar, Badiya Hattar: 'Alhajr Barra (Chant de Mariage)\r\n
                  - Sufian Jaser Eid, Ayman Bashir al-Yamani, Muhammad'Abed Al Salhîn, Isma'il Mahmud\r\n
                  Abu'Awali, Eid Abbas Muhammad Kayyal: Mawwal, Ughniya (Chant de Pêcheur)\r\n
                  \r\n
                  Iran: Bardes du Khorassan - Chants et luth dotâr (cd, Ocora, 1998)\r\n
                  Khorassan is Iran's extreme north-eastern province, highly ethnically diverse, with Persians,\r\n
                  Turks and Kurds being the most important peoples. Bakhshi or bards are story-tellers,\r\n
                  custodians of epic chant and legends who accompany themselves on hand-made two-stringed,\r\n
                  long-necked lutes, the dotâr. They're trained to pass on a repertoire of songs of an amorous,\r\n
                  didactic, religious or patriotic nature, that comes from oral tradition, sung in Turkish, Persian or\r\n
                  Kurdish.\r\n
                  \r\n
                  Recorded by Ameneh Youssefzadeh, 1997\r\n
                  - Mohammad Yegâne: Jân nesâr\r\n
                  - Hâj Qorbân Soleymâni: Jabbâr\r\n
                  - Golnabât Atâ'i: Sakine\r\n
                  - Isâ Qolipur: Oldurme\r\n
                  \r\n
                  Italian Treasury: Puglia - The Salento (cd, Rounder, 2002)\r\n
                  From a series of 11 well researched cds with outstanding recordings made by the famous\r\n
                  American ethnomusicologist Alan Lomax of the folk music traditions of Italy in the 1950s, this\r\n
                  compilation focusses on the Salento, the southeastern-most tip of Italy's heel in the province of\r\n
                  dry, rural Apulia. Songs about harvesting, threshing wheat, love and 'tarantismo', a form of\r\n
                  musical therapy practiced by peasant women to cure the bite of the venomous tarantula-spider.\r\n
                  \r\n
                  Recorded by Alan Lomax & Diego Carpitella, 1954\r\n
                  - Martano: A dove vai bella fanciulla?\r\n
                  - Galatone: Lu Lazzaru\r\n
                  - Martano: Stornelli\r\n
                  - Gallipoli: Sutt'acqua e sutta iento navigamu\r\n
                  - Galatone: E malidettu lu Cinquanta\r\n
                  - Galatone: Pizzica\r\n
                  - Galatone: Ninnarella\r\n
                  \r\n
                  Haïti: Les 101 Nations Du Vaudou (cd, Buda Musique, 2005)\r\n
                  In the world of Haitian voodoo, there are 101 'nations', or families of deities (also called\r\n
                  mysteries, 'loas', saints or angels), which are often named after African tribes or ethnic groups\r\n
                  from where the imported slaves into the country originally came from. This cd captures the\r\n
                  music of several ceremonies led by high priest and master percussionist Pierre Chériza and his\r\n
                  ensemble.\r\n
                  \r\n
                  Recorded by Luc Candardjis.\r\n
                  - Pierre Chériza Fènèlus e.a.: Ouvre Baryé\r\n
                  - Pierre Chériza Fènèlus e.a.: Signale Agouet Aroyo\r\n
                  - Pierre Chériza Fènèlus e.a.: Rythme Rassemblement\r\n
                  - Pierre Chériza Fènèlus e.a.: Rythme Mahi\r\n
                  - Pierre Chériza Fènèlus e.a.: Rythme Petro
                  """
              ]
              #original: array:7 [
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                "locale" => "en"
                "title" => "Travelogue"
                "slug" => "travelogue-2"
                "intro" => null
                "text" => """
                  Travelogue pays tribute to global traditional folk music, focussing on the work of field recordists, ethnomusicologists and intrepid music collectors. In this show, discover amazing music from Vietnam, Gabon, French Guiana, Jordan, Iran, Italy and Haïti.\r\n
                  \r\n
                  Viêtnam: anthologie de la musique êdê (cd, Buda Musique, 2000)\r\n
                  A collection of songs of the Êdê people from the Dak Lak plateau in Vietnam. Each instrumental or vocal form is meant to accompany one ritual or another, following the calendar of seasonal works or occasional events (the first rain, the new rice harvest, the new year, building a house, funerals...).\r\n
                  \r\n
                  Recorded by Patrick Bersalé, 1997-98.\r\n
                  - Ama Nuên: Cithare sur calebasse (Bro')\r\n
                  - Y-Yoi Hwing: Guimbarde\r\n
                  - Yă H'Riu: Aê Rêi\r\n
                  - Yă H'Phũt: Souffler Les Tuyaux En Chantant Le Aê Rêi\r\n
                  - Yă H'Riu: Sangloter\r\n
                  - Ama Nuên, Ama Wơn & Ama H'Nga: Polyrithmie de bambous percutés (Cing Kram)\r\n
                  - Peuple Êdê: Ensemble de gongs - Salutation aux invités\r\n
                  \r\n
                  Gabon. Musiques des pygmées Bibayak/chantres de l'épopée (cd, Ocora, 1989)\r\n
                  Vocal polyphonies of the Bibayak pygmies of Gabon, who call themselves Baka Bambuké. The music erupts in a broken vocalizing of pure sounds, a technique known as 'yodeling', mostly reserved for women (while men are assigned to percussion and dance). These polyphonies can hold up to 8 voices, entering successively, adjusting to one another in canons and imitations.\r\n
                  \r\n
                  Recorded by Pierre Sallée, 1966 & 1973.\r\n
                  - baka bambuké:: séquences polyphoniques: a) 5 voix et tambour b) et c) choeur et percussions\r\n
                  - baka bambuké: séquences polyphoniques: suite\r\n
                  - baka bambuké: mebasi - jeu vocal (a,b)\r\n
                  \r\n
                  Wayāpi de Guyane. Un visage sonore d'Amazonie (cd, Le chant du monde, 1998)\r\n
                  The Wayãpi, totalling around 1000 people, live in the Amazon rainforests of northeastern Brasil\r\n
                  and southern French Guiana. Their repetitive music is inseparable from the natural\r\n
                  environment, reaffirming the pleasure of living, celebrating fish, birds, maize, dragonflies,\r\n
                  manioc beer... Apart from different types of panpipes and the sounds of rubbed turtle-shells, the\r\n
                  low, rough sounds of the 'tule', large unisono clarinets made of reeds and bamboo tubes,\r\n
                  without finger-holes, are remarkable here.\r\n
                  \r\n
                  Recordings: Jean-Michel Beaudet, 1977, 1978, 1979, 1981, 1995\r\n
                  - Forêt, le matin\r\n
                  - So' okānge - Solo de flûte en os à encoche\r\n
                  - Kasili - "La Bière de Manioc" (Flûte de Pan et Carapace de Tortue frottée)\r\n
                  - Répertoire Tulekalanā - "Ton village mon amour !"\r\n
                  - Tasia - répertoire Pilatule "La danse des poissons"\r\n
                  - Répertoire Moyotule - "Le Toucan"\r\n
                  \r\n
                  Inedit: Jordanie. Chants bédoins, Chants de mariage, Chants des pêcheurs d'Aqaba (cd,\r\n
                  Maison des cultures du monde, 1998)\r\n
                  Singing is considered the most genuine expression of Jordanian life; the instruments generally\r\n
                  play a secondary role, and those which are used imitate the sound of the human voice. Popular\r\n
                  instruments are the one stringed bowed lute (rebâb), the flute (nây), the ten stringed lyre\r\n
                  (simsimiya) and hand clapping (sahja) or feet stamping (dabkeh).\r\n
                  \r\n
                  Recorded by Pierre Bois, 1997\r\n
                  - Jamal Khleif: Dahiya, samer (Chant Bédouin)\r\n
                  - Majdoulin Hattar, Aniseh Hattar, Rabita Hattar, Badiya Hattar: Ya Shajirat Al-tufah (Chant de\r\n
                  Mariage)\r\n
                  - Majdoulin Hattar, Aniseh Hattar, Rabita Hattar, Badiya Hattar: Men Al-sabah L-al-'asr (Chant\r\n
                  de Mariage)\r\n
                  - Majdoulin Hattar, Aniseh Hattar, Rabita Hattar, Badiya Hattar: 'Alhajr Barra (Chant de Mariage)\r\n
                  - Sufian Jaser Eid, Ayman Bashir al-Yamani, Muhammad'Abed Al Salhîn, Isma'il Mahmud\r\n
                  Abu'Awali, Eid Abbas Muhammad Kayyal: Mawwal, Ughniya (Chant de Pêcheur)\r\n
                  \r\n
                  Iran: Bardes du Khorassan - Chants et luth dotâr (cd, Ocora, 1998)\r\n
                  Khorassan is Iran's extreme north-eastern province, highly ethnically diverse, with Persians,\r\n
                  Turks and Kurds being the most important peoples. Bakhshi or bards are story-tellers,\r\n
                  custodians of epic chant and legends who accompany themselves on hand-made two-stringed,\r\n
                  long-necked lutes, the dotâr. They're trained to pass on a repertoire of songs of an amorous,\r\n
                  didactic, religious or patriotic nature, that comes from oral tradition, sung in Turkish, Persian or\r\n
                  Kurdish.\r\n
                  \r\n
                  Recorded by Ameneh Youssefzadeh, 1997\r\n
                  - Mohammad Yegâne: Jân nesâr\r\n
                  - Hâj Qorbân Soleymâni: Jabbâr\r\n
                  - Golnabât Atâ'i: Sakine\r\n
                  - Isâ Qolipur: Oldurme\r\n
                  \r\n
                  Italian Treasury: Puglia - The Salento (cd, Rounder, 2002)\r\n
                  From a series of 11 well researched cds with outstanding recordings made by the famous\r\n
                  American ethnomusicologist Alan Lomax of the folk music traditions of Italy in the 1950s, this\r\n
                  compilation focusses on the Salento, the southeastern-most tip of Italy's heel in the province of\r\n
                  dry, rural Apulia. Songs about harvesting, threshing wheat, love and 'tarantismo', a form of\r\n
                  musical therapy practiced by peasant women to cure the bite of the venomous tarantula-spider.\r\n
                  \r\n
                  Recorded by Alan Lomax & Diego Carpitella, 1954\r\n
                  - Martano: A dove vai bella fanciulla?\r\n
                  - Galatone: Lu Lazzaru\r\n
                  - Martano: Stornelli\r\n
                  - Gallipoli: Sutt'acqua e sutta iento navigamu\r\n
                  - Galatone: E malidettu lu Cinquanta\r\n
                  - Galatone: Pizzica\r\n
                  - Galatone: Ninnarella\r\n
                  \r\n
                  Haïti: Les 101 Nations Du Vaudou (cd, Buda Musique, 2005)\r\n
                  In the world of Haitian voodoo, there are 101 'nations', or families of deities (also called\r\n
                  mysteries, 'loas', saints or angels), which are often named after African tribes or ethnic groups\r\n
                  from where the imported slaves into the country originally came from. This cd captures the\r\n
                  music of several ceremonies led by high priest and master percussionist Pierre Chériza and his\r\n
                  ensemble.\r\n
                  \r\n
                  Recorded by Luc Candardjis.\r\n
                  - Pierre Chériza Fènèlus e.a.: Ouvre Baryé\r\n
                  - Pierre Chériza Fènèlus e.a.: Signale Agouet Aroyo\r\n
                  - Pierre Chériza Fènèlus e.a.: Rythme Rassemblement\r\n
                  - Pierre Chériza Fènèlus e.a.: Rythme Mahi\r\n
                  - Pierre Chériza Fènèlus e.a.: Rythme Petro
                  """
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        "created_at" => "2019-01-10 12:05:26"
        "updated_at" => "2019-01-21 12:05:26"
        "order" => 102
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        "parent_id" => 1
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        "tracklist" => """
          **Uchina: sounds of Okinawa Island (Winter & Winter, 2013)**\r\n
          \r\n
          A selection of songs from the Japanese island of Okinawa, talking about logging, harvest, the ocean and love. Remarkable instruments here are: sanshin (a three stringed lute with a snake skin body) and taiko (drums, e.g. shime-daiko). Recorded by Stefan Winter (2011) & Senri Miyazato (nr 2, 1981).\r\n
          \r\n
          * 1/ Deigo Musume: kunjansabakui \r\n
          * 2/ Festival voices: miyako nishibe yukui: michiyuki yonteru\r\n
          * 3/ Keiko Higa & shimadaiko: nami \r\n
          * 4/ Hajime Nakasone: amakaa\r\n
          \r\n
          **Kenya & Tanzania: witchcraft & ritual music (Nonesuch, 1975/1991)**\r\n
          \r\n
          Music from the Lamu, Giriama, Taita and Luo tribes of Kenya, used as medicine in witchcraft practices. Healing sounds from drums, the uta (one stringed harp), the nyatiti (eight stringed harp) and blowing the bung'o (horn).\r\n
          Recorded by David Fanshawe.\r\n
          \r\n
          * 5/ unknown: nyatiti (Luo, Kenya) \r\n
          * 6/ unknown: coconut pickers song (Lamu, Kenya)\r\n
          * 7/ unknown: giriama spirit dance (Giriama, Kenya) \r\n
          * 8/ unknown: ngoma ra mrongo (Taita, Kenya)\r\n
          * 9/ kayamba dance: giriama wedding (Giriama, Kenya)\r\n
          \r\n
          **Tombe Ditumba: Musique des Luba-Shankadi du Shaba - Zaïre (MRAC/Fonti Musicali, 1994)**\r\n
          \r\n
          Different samples of music from the Luba-Shankadi tribe of south-Congo (Kasai & Shaba provinces), related to hunting, dancing, work, birth, hospitality on specific instruments like the dikembe (thumb piano), madimba (xylophone), lusuba (mouth bow). \r\n
          Recorded by Jos Gansemans of the Royal Museum of Central Africa, Brussels in 1970, 1972 & 1973.\r\n
          \r\n
          * 10/ unknown: chant de chasse buyanga \r\n
          * 11/ unknown: chant pour piler le manioc\r\n
          * 12/ unknown: chant pour les jumeaux mapasa\r\n
          * 13/ unknown: chant narratif \r\n
          * 14/ unknown: danse matolo\r\n
          * 15/ unknown: duo de dikembe\r\n
          * 16/ unknown: arc à bouche lusuba\r\n
          * 17/ unknown: berceuse \r\n
          \r\n
          **Grèce. Paralogues. Chants traditionnels (Ocora, 2006)**\r\n
          \r\n
          Paralogues are traditional Greek narrative songs of epic nature, drawing from popular beliefs, everyday life and ancient myths. The selected songs talk about an evil mother-in-law; the Triha bridge; a young stone cutter who has only one hand; a bridesmade who became a bride and the return of an expatriate husband. \r\n
          Recorded by Greek national radio, 2005.\r\n
          \r\n
          * 18/ Nikos Papavramides & chorus: kakia pethera (Pontos, Black Sea)\r\n
          * 19/ Eleni Bairaktaris-Kotalakidi, Christos Bairaktaris & chorus: tis trihas to giofyri (Pontos, Black Sea)\r\n
          * 20/ Doras Stratou choir: agourous petra peleka (Skyros Island)\r\n
          * 21/ Savas Siatras: Tis Koubaras Pou Egine Nyfi\r\n
          * 22/ D. Vagias, S. Kitsanelli, N. Sadedin, V. Gogos, V. Charisis & C. Litos: o gyrismos tou xenitemenou sizigou (Epirus)\r\n
          \r\n
          **Anadolu Ninnileri/Anatolian Lullabies (Kalan, 2006)**\r\n
          \r\n
          Lullabies ("ninni"), typically sung by mothers to soothe their children or put them to sleep, are one of the most characteristic genres within the musical culture of Anatolia (Turkey). They can be found across the various ethnic groups living in Anatolia, sung in languages other than Turkish, like Romani, Armenian, Judeo-Spanish, Sorani, Greek, Eastern Aramaic, Kurdish...  \r\n
          Collected from archives by Kalan Müzik, Melih Duygulu, Hasan Kuzu, Muammer Ketencoglu, Birol Topaloglu, Hadas Pal-Yarden.\r\n
          \r\n
          * 23/ Melih Duygulu: Dandini Dandini Dasdana\r\n
          * 24/ Muzaffer Akgün: Adalardan Ciktim Yayan \r\n
          * 25/ Tatyana Bostan: Bar bar genem \r\n
          * 26/ Hadass Pal-Yarden: durme durme\r\n
          * 27/ Ayfer Düzdas: lay lay\r\n
          * 28/ Sebnem Boral: zorik\r\n
          \r\n
          **Afghanistan untouched (Traditional Crossroads, 2003)**\r\n
          \r\n
          Afghanistan overflows with musical treasures; its lyrical instruments and haunting melodies are as astonishing in their variety and uniqueness as the ethnically dense country itself. An amazing collection of Tajik, Uzbek, Pashtun, Herati, Kazakh and Turkmen songs from a peaceful era, on instruments like dambura (long necked lute), doira (frame drum), zirbaghali (single headed pottery drum), ghichak (two-stringed fiddle) or dutar (long necked two-stringed lute) a.o.\r\n
          Recorded by Mark Slobin in 1968.\r\n
          \r\n
          * 29/ Adam: Excerpt Of The Adam Khan Tale (Pashtun)\r\n
          * 30/ Mohamed Qasem: Shirin, Shirin (Dutar Piece) (Herati)\r\n
          * 31/ Khodai Qul: Guroghili Epic Tale Excerpt (Uzbek)\r\n
          * 32/ Aq Pishak (w/ Salaidin and Achel): Teahouse Songs (Uzbek)\r\n
          * 33/ Adinabeg: Felak Song From Darwaz Region Of Badakhshan (Tajik)\r\n
          * 34/ Zulaikha & Gulandam: Women's Wedding Song (Uzbek)
          """
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          **Uchina: sounds of Okinawa Island (Winter & Winter, 2013)**\r\n
          \r\n
          A selection of songs from the Japanese island of Okinawa, talking about logging, harvest, the ocean and love. Remarkable instruments here are: sanshin (a three stringed lute with a snake skin body) and taiko (drums, e.g. shime-daiko). Recorded by Stefan Winter (2011) & Senri Miyazato (nr 2, 1981).\r\n
          \r\n
          * 1/ Deigo Musume: kunjansabakui \r\n
          * 2/ Festival voices: miyako nishibe yukui: michiyuki yonteru\r\n
          * 3/ Keiko Higa & shimadaiko: nami \r\n
          * 4/ Hajime Nakasone: amakaa\r\n
          \r\n
          **Kenya & Tanzania: witchcraft & ritual music (Nonesuch, 1975/1991)**\r\n
          \r\n
          Music from the Lamu, Giriama, Taita and Luo tribes of Kenya, used as medicine in witchcraft practices. Healing sounds from drums, the uta (one stringed harp), the nyatiti (eight stringed harp) and blowing the bung'o (horn).\r\n
          Recorded by David Fanshawe.\r\n
          \r\n
          * 5/ unknown: nyatiti (Luo, Kenya) \r\n
          * 6/ unknown: coconut pickers song (Lamu, Kenya)\r\n
          * 7/ unknown: giriama spirit dance (Giriama, Kenya) \r\n
          * 8/ unknown: ngoma ra mrongo (Taita, Kenya)\r\n
          * 9/ kayamba dance: giriama wedding (Giriama, Kenya)\r\n
          \r\n
          **Tombe Ditumba: Musique des Luba-Shankadi du Shaba - Zaïre (MRAC/Fonti Musicali, 1994)**\r\n
          \r\n
          Different samples of music from the Luba-Shankadi tribe of south-Congo (Kasai & Shaba provinces), related to hunting, dancing, work, birth, hospitality on specific instruments like the dikembe (thumb piano), madimba (xylophone), lusuba (mouth bow). \r\n
          Recorded by Jos Gansemans of the Royal Museum of Central Africa, Brussels in 1970, 1972 & 1973.\r\n
          \r\n
          * 10/ unknown: chant de chasse buyanga \r\n
          * 11/ unknown: chant pour piler le manioc\r\n
          * 12/ unknown: chant pour les jumeaux mapasa\r\n
          * 13/ unknown: chant narratif \r\n
          * 14/ unknown: danse matolo\r\n
          * 15/ unknown: duo de dikembe\r\n
          * 16/ unknown: arc à bouche lusuba\r\n
          * 17/ unknown: berceuse \r\n
          \r\n
          **Grèce. Paralogues. Chants traditionnels (Ocora, 2006)**\r\n
          \r\n
          Paralogues are traditional Greek narrative songs of epic nature, drawing from popular beliefs, everyday life and ancient myths. The selected songs talk about an evil mother-in-law; the Triha bridge; a young stone cutter who has only one hand; a bridesmade who became a bride and the return of an expatriate husband. \r\n
          Recorded by Greek national radio, 2005.\r\n
          \r\n
          * 18/ Nikos Papavramides & chorus: kakia pethera (Pontos, Black Sea)\r\n
          * 19/ Eleni Bairaktaris-Kotalakidi, Christos Bairaktaris & chorus: tis trihas to giofyri (Pontos, Black Sea)\r\n
          * 20/ Doras Stratou choir: agourous petra peleka (Skyros Island)\r\n
          * 21/ Savas Siatras: Tis Koubaras Pou Egine Nyfi\r\n
          * 22/ D. Vagias, S. Kitsanelli, N. Sadedin, V. Gogos, V. Charisis & C. Litos: o gyrismos tou xenitemenou sizigou (Epirus)\r\n
          \r\n
          **Anadolu Ninnileri/Anatolian Lullabies (Kalan, 2006)**\r\n
          \r\n
          Lullabies ("ninni"), typically sung by mothers to soothe their children or put them to sleep, are one of the most characteristic genres within the musical culture of Anatolia (Turkey). They can be found across the various ethnic groups living in Anatolia, sung in languages other than Turkish, like Romani, Armenian, Judeo-Spanish, Sorani, Greek, Eastern Aramaic, Kurdish...  \r\n
          Collected from archives by Kalan Müzik, Melih Duygulu, Hasan Kuzu, Muammer Ketencoglu, Birol Topaloglu, Hadas Pal-Yarden.\r\n
          \r\n
          * 23/ Melih Duygulu: Dandini Dandini Dasdana\r\n
          * 24/ Muzaffer Akgün: Adalardan Ciktim Yayan \r\n
          * 25/ Tatyana Bostan: Bar bar genem \r\n
          * 26/ Hadass Pal-Yarden: durme durme\r\n
          * 27/ Ayfer Düzdas: lay lay\r\n
          * 28/ Sebnem Boral: zorik\r\n
          \r\n
          **Afghanistan untouched (Traditional Crossroads, 2003)**\r\n
          \r\n
          Afghanistan overflows with musical treasures; its lyrical instruments and haunting melodies are as astonishing in their variety and uniqueness as the ethnically dense country itself. An amazing collection of Tajik, Uzbek, Pashtun, Herati, Kazakh and Turkmen songs from a peaceful era, on instruments like dambura (long necked lute), doira (frame drum), zirbaghali (single headed pottery drum), ghichak (two-stringed fiddle) or dutar (long necked two-stringed lute) a.o.\r\n
          Recorded by Mark Slobin in 1968.\r\n
          \r\n
          * 29/ Adam: Excerpt Of The Adam Khan Tale (Pashtun)\r\n
          * 30/ Mohamed Qasem: Shirin, Shirin (Dutar Piece) (Herati)\r\n
          * 31/ Khodai Qul: Guroghili Epic Tale Excerpt (Uzbek)\r\n
          * 32/ Aq Pishak (w/ Salaidin and Achel): Teahouse Songs (Uzbek)\r\n
          * 33/ Adinabeg: Felak Song From Darwaz Region Of Badakhshan (Tajik)\r\n
          * 34/ Zulaikha & Gulandam: Women's Wedding Song (Uzbek)
          """
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[{"id":1641,"created_at":"08.02.2019","updated_at":"il y a 1 semaine","order":11,"published":1,"parent_id":1,"image_une":{"id":1951,"ext":"jpg","name":"1549663921-wajapi-5.jpg","alt":"wajapi_5","description":null,"mediatable_id":1641,"order":null,"type":"une","mediatable_type":"App\\Article","created_at":"2019-02-08 22:12:01","updated_at":"2019-02-08 22:16:24","width":1600,"height":1200},"date":"08.02.2019","tracklist":null,"mixcloud_show_url":"https:\/\/www.mixcloud.com\/TheWordMagazine\/travelogue-08022019\/","link":null,"facebook":null,"twitter":null,"instagram":null,"related_article_id":1547,"start_hour":"","end_hour":"","mp3_file":null,"recommended":0,"intro":null,"soundcloud":null,"mixcloud":null,"bandcamp":null,"title":"Travelogue","text":"Travelogue pays tribute to global traditional folk music, focussing on the work of field recordists, ethnomusicologists and intrepid music collectors. In this show, discover amazing music from Vietnam, Gabon, French Guiana, Jordan, Iran, Italy and Ha\u00efti.\r\n\r\nVi\u00eatnam: anthologie de la musique \u00ead\u00ea (cd, Buda Musique, 2000)\r\nA collection of songs of the \u00cad\u00ea people from the Dak Lak plateau in Vietnam. Each instrumental or vocal form is meant to accompany one ritual or another, following the calendar of seasonal works or occasional events (the first rain, the new rice harvest, the new year, building a house, funerals...).\r\n\r\nRecorded by Patrick Bersal\u00e9, 1997-98.\r\n- Ama Nu\u00ean: Cithare sur calebasse (Bro')\r\n- Y-Yoi Hwing: Guimbarde\r\n- Y\u0103 H'Riu: A\u00ea R\u00eai\r\n- Y\u0103 H'Ph\u0169t: Souffler Les Tuyaux En Chantant Le A\u00ea R\u00eai\r\n- Y\u0103 H'Riu: Sangloter\r\n- Ama Nu\u00ean, Ama W\u01a1n & Ama H'Nga: Polyrithmie de bambous percut\u00e9s (Cing Kram)\r\n- Peuple \u00cad\u00ea: Ensemble de gongs - Salutation aux invit\u00e9s\r\n\r\nGabon. Musiques des pygm\u00e9es Bibayak\/chantres de l'\u00e9pop\u00e9e (cd, Ocora, 1989)\r\nVocal polyphonies of the Bibayak pygmies of Gabon, who call themselves Baka Bambuk\u00e9. The music erupts in a broken vocalizing of pure sounds, a technique known as 'yodeling', mostly reserved for women (while men are assigned to percussion and dance). These polyphonies can hold up to 8 voices, entering successively, adjusting to one another in canons and imitations.\r\n\r\nRecorded by Pierre Sall\u00e9e, 1966 & 1973.\r\n- baka bambuk\u00e9:: s\u00e9quences polyphoniques: a) 5 voix et tambour b) et c) choeur et percussions\r\n- baka bambuk\u00e9: s\u00e9quences polyphoniques: suite\r\n- baka bambuk\u00e9: mebasi - jeu vocal (a,b)\r\n\r\nWay\u0101pi de Guyane. Un visage sonore d'Amazonie (cd, Le chant du monde, 1998)\r\nThe Way\u00e3pi, totalling around 1000 people, live in the Amazon rainforests of northeastern Brasil\r\nand southern French Guiana. Their repetitive music is inseparable from the natural\r\nenvironment, reaffirming the pleasure of living, celebrating fish, birds, maize, dragonflies,\r\nmanioc beer... Apart from different types of panpipes and the sounds of rubbed turtle-shells, the\r\nlow, rough sounds of the 'tule', large unisono clarinets made of reeds and bamboo tubes,\r\nwithout finger-holes, are remarkable here.\r\n\r\nRecordings: Jean-Michel Beaudet, 1977, 1978, 1979, 1981, 1995\r\n- For\u00eat, le matin\r\n- So' ok\u0101nge - Solo de fl\u00fbte en os \u00e0 encoche\r\n- Kasili - \"La Bi\u00e8re de Manioc\" (Fl\u00fbte de Pan et Carapace de Tortue frott\u00e9e)\r\n- R\u00e9pertoire Tulekalan\u0101 - \"Ton village mon amour !\"\r\n- Tasia - r\u00e9pertoire Pilatule \"La danse des poissons\"\r\n- R\u00e9pertoire Moyotule - \"Le Toucan\"\r\n\r\nInedit: Jordanie. Chants b\u00e9doins, Chants de mariage, Chants des p\u00eacheurs d'Aqaba (cd,\r\nMaison des cultures du monde, 1998)\r\nSinging is considered the most genuine expression of Jordanian life; the instruments generally\r\nplay a secondary role, and those which are used imitate the sound of the human voice. Popular\r\ninstruments are the one stringed bowed lute (reb\u00e2b), the flute (n\u00e2y), the ten stringed lyre\r\n(simsimiya) and hand clapping (sahja) or feet stamping (dabkeh).\r\n\r\nRecorded by Pierre Bois, 1997\r\n- Jamal Khleif: Dahiya, samer (Chant B\u00e9douin)\r\n- Majdoulin Hattar, Aniseh Hattar, Rabita Hattar, Badiya Hattar: Ya Shajirat Al-tufah (Chant de\r\nMariage)\r\n- Majdoulin Hattar, Aniseh Hattar, Rabita Hattar, Badiya Hattar: Men Al-sabah L-al-'asr (Chant\r\nde Mariage)\r\n- Majdoulin Hattar, Aniseh Hattar, Rabita Hattar, Badiya Hattar: 'Alhajr Barra (Chant de Mariage)\r\n- Sufian Jaser Eid, Ayman Bashir al-Yamani, Muhammad'Abed Al Salh\u00een, Isma'il Mahmud\r\nAbu'Awali, Eid Abbas Muhammad Kayyal: Mawwal, Ughniya (Chant de P\u00eacheur)\r\n\r\nIran: Bardes du Khorassan - Chants et luth dot\u00e2r (cd, Ocora, 1998)\r\nKhorassan is Iran's extreme north-eastern province, highly ethnically diverse, with Persians,\r\nTurks and Kurds being the most important peoples. Bakhshi or bards are story-tellers,\r\ncustodians of epic chant and legends who accompany themselves on hand-made two-stringed,\r\nlong-necked lutes, the dot\u00e2r. They're trained to pass on a repertoire of songs of an amorous,\r\ndidactic, religious or patriotic nature, that comes from oral tradition, sung in Turkish, Persian or\r\nKurdish.\r\n\r\nRecorded by Ameneh Youssefzadeh, 1997\r\n- Mohammad Yeg\u00e2ne: J\u00e2n nes\u00e2r\r\n- H\u00e2j Qorb\u00e2n Soleym\u00e2ni: Jabb\u00e2r\r\n- Golnab\u00e2t At\u00e2'i: Sakine\r\n- Is\u00e2 Qolipur: Oldurme\r\n\r\nItalian Treasury: Puglia - The Salento (cd, Rounder, 2002)\r\nFrom a series of 11 well researched cds with outstanding recordings made by the famous\r\nAmerican ethnomusicologist Alan Lomax of the folk music traditions of Italy in the 1950s, this\r\ncompilation focusses on the Salento, the southeastern-most tip of Italy's heel in the province of\r\ndry, rural Apulia. Songs about harvesting, threshing wheat, love and 'tarantismo', a form of\r\nmusical therapy practiced by peasant women to cure the bite of the venomous tarantula-spider.\r\n\r\nRecorded by Alan Lomax & Diego Carpitella, 1954\r\n- Martano: A dove vai bella fanciulla?\r\n- Galatone: Lu Lazzaru\r\n- Martano: Stornelli\r\n- Gallipoli: Sutt'acqua e sutta iento navigamu\r\n- Galatone: E malidettu lu Cinquanta\r\n- Galatone: Pizzica\r\n- Galatone: Ninnarella\r\n\r\nHa\u00efti: Les 101 Nations Du Vaudou (cd, Buda Musique, 2005)\r\nIn the world of Haitian voodoo, there are 101 'nations', or families of deities (also called\r\nmysteries, 'loas', saints or angels), which are often named after African tribes or ethnic groups\r\nfrom where the imported slaves into the country originally came from. This cd captures the\r\nmusic of several ceremonies led by high priest and master percussionist Pierre Ch\u00e9riza and his\r\nensemble.\r\n\r\nRecorded by Luc Candardjis.\r\n- Pierre Ch\u00e9riza F\u00e8n\u00e8lus e.a.: Ouvre Bary\u00e9\r\n- Pierre Ch\u00e9riza F\u00e8n\u00e8lus e.a.: Signale Agouet Aroyo\r\n- Pierre Ch\u00e9riza F\u00e8n\u00e8lus e.a.: Rythme Rassemblement\r\n- Pierre Ch\u00e9riza F\u00e8n\u00e8lus e.a.: Rythme Mahi\r\n- Pierre Ch\u00e9riza F\u00e8n\u00e8lus e.a.: Rythme Petro","slug":"travelogue-2","serie":{"id":1547,"created_at":"10.01.2019","updated_at":"il y a 1 mois","order":3,"published":1,"parent_id":2,"image_une":{"id":1842,"ext":"png","name":"1547480232-travelogue-pic.png","alt":"travelogue pic","description":null,"mediatable_id":1547,"order":1,"type":"une","mediatable_type":"App\\Article","created_at":"2019-01-14 15:37:12","updated_at":"2019-01-14 15:37:12","width":1599,"height":1200},"date":null,"tracklist":null,"mixcloud_show_url":null,"link":null,"facebook":null,"twitter":null,"instagram":null,"related_article_id":null,"start_hour":"","end_hour":"","mp3_file":null,"recommended":0,"intro":null,"soundcloud":null,"mixcloud":null,"bandcamp":null,"title":"Travelogue","text":"Travelogue presents traditional, acoustic folk music from around the world, by focussing in depth on outstanding records (vinyl & cd), released by specialised labels, ethnographic museums, radio stations and cultural institutions that record, collect and study the musical traditions of (indigenous) peoples and societies from all corners of the globe. This often endangered music is part of the intangible cultural heritage of mankind and needs to be preserved for future generations, as a celebration of cultural diversity, creativity and inventiveness. \r\nIn the tremendously vast field of folk music we travel in the footsteps of renowned music collectors and ethnomusicologists, whose aim was not only to study the structure of traditional music, instruments and vocal traditions, but to show also that in many societies, music is not an independent art form to be enjoyed for its own sake, but an integral part of the culture. In traditional societies, music accompanies every human activity, from the cradle to the grave. \r\nBram De Cock","slug":"travelogue-1","serie":null,"the_tags":[],"translations":[{"id":1547,"article_id":1547,"locale":"en","title":"Travelogue","slug":"travelogue-1","intro":null,"text":"Travelogue presents traditional, acoustic folk music from around the world, by focussing in depth on outstanding records (vinyl & cd), released by specialised labels, ethnographic museums, radio stations and cultural institutions that record, collect and study the musical traditions of (indigenous) peoples and societies from all corners of the globe. This often endangered music is part of the intangible cultural heritage of mankind and needs to be preserved for future generations, as a celebration of cultural diversity, creativity and inventiveness. \r\nIn the tremendously vast field of folk music we travel in the footsteps of renowned music collectors and ethnomusicologists, whose aim was not only to study the structure of traditional music, instruments and vocal traditions, but to show also that in many societies, music is not an independent art form to be enjoyed for its own sake, but an integral part of the culture. In traditional societies, music accompanies every human activity, from the cradle to the grave. \r\nBram De Cock"}]},"the_tags":[{"id":13,"parent_id":1,"created_at":"2017-11-13 13:59:45","updated_at":"2017-11-13 13:59:45","order":0,"name":"ethnomusicology","slug":"ethnomusicology","pivot":{"article_id":1641,"tag_id":13,"created_at":"2019-02-09 17:53:59","updated_at":"2019-02-09 17:53:59"},"translations":[{"id":13,"tag_id":13,"locale":"en","name":"ethnomusicology","slug":"ethnomusicology"}]},{"id":225,"parent_id":1,"created_at":"2018-01-29 09:21:46","updated_at":"2018-01-29 09:21:46","order":0,"name":"field recordings","slug":"field-recordings","pivot":{"article_id":1641,"tag_id":225,"created_at":"2019-02-09 17:53:59","updated_at":"2019-02-09 17:53:59"},"translations":[{"id":225,"tag_id":225,"locale":"en","name":"field recordings","slug":"field-recordings"}]}],"translations":[{"id":1641,"article_id":1641,"locale":"en","title":"Travelogue","slug":"travelogue-2","intro":null,"text":"Travelogue pays tribute to global traditional folk music, focussing on the work of field recordists, ethnomusicologists and intrepid music collectors. In this show, discover amazing music from Vietnam, Gabon, French Guiana, Jordan, Iran, Italy and Ha\u00efti.\r\n\r\nVi\u00eatnam: anthologie de la musique \u00ead\u00ea (cd, Buda Musique, 2000)\r\nA collection of songs of the \u00cad\u00ea people from the Dak Lak plateau in Vietnam. Each instrumental or vocal form is meant to accompany one ritual or another, following the calendar of seasonal works or occasional events (the first rain, the new rice harvest, the new year, building a house, funerals...).\r\n\r\nRecorded by Patrick Bersal\u00e9, 1997-98.\r\n- Ama Nu\u00ean: Cithare sur calebasse (Bro')\r\n- Y-Yoi Hwing: Guimbarde\r\n- Y\u0103 H'Riu: A\u00ea R\u00eai\r\n- Y\u0103 H'Ph\u0169t: Souffler Les Tuyaux En Chantant Le A\u00ea R\u00eai\r\n- Y\u0103 H'Riu: Sangloter\r\n- Ama Nu\u00ean, Ama W\u01a1n & Ama H'Nga: Polyrithmie de bambous percut\u00e9s (Cing Kram)\r\n- Peuple \u00cad\u00ea: Ensemble de gongs - Salutation aux invit\u00e9s\r\n\r\nGabon. Musiques des pygm\u00e9es Bibayak\/chantres de l'\u00e9pop\u00e9e (cd, Ocora, 1989)\r\nVocal polyphonies of the Bibayak pygmies of Gabon, who call themselves Baka Bambuk\u00e9. The music erupts in a broken vocalizing of pure sounds, a technique known as 'yodeling', mostly reserved for women (while men are assigned to percussion and dance). These polyphonies can hold up to 8 voices, entering successively, adjusting to one another in canons and imitations.\r\n\r\nRecorded by Pierre Sall\u00e9e, 1966 & 1973.\r\n- baka bambuk\u00e9:: s\u00e9quences polyphoniques: a) 5 voix et tambour b) et c) choeur et percussions\r\n- baka bambuk\u00e9: s\u00e9quences polyphoniques: suite\r\n- baka bambuk\u00e9: mebasi - jeu vocal (a,b)\r\n\r\nWay\u0101pi de Guyane. Un visage sonore d'Amazonie (cd, Le chant du monde, 1998)\r\nThe Way\u00e3pi, totalling around 1000 people, live in the Amazon rainforests of northeastern Brasil\r\nand southern French Guiana. Their repetitive music is inseparable from the natural\r\nenvironment, reaffirming the pleasure of living, celebrating fish, birds, maize, dragonflies,\r\nmanioc beer... Apart from different types of panpipes and the sounds of rubbed turtle-shells, the\r\nlow, rough sounds of the 'tule', large unisono clarinets made of reeds and bamboo tubes,\r\nwithout finger-holes, are remarkable here.\r\n\r\nRecordings: Jean-Michel Beaudet, 1977, 1978, 1979, 1981, 1995\r\n- For\u00eat, le matin\r\n- So' ok\u0101nge - Solo de fl\u00fbte en os \u00e0 encoche\r\n- Kasili - \"La Bi\u00e8re de Manioc\" (Fl\u00fbte de Pan et Carapace de Tortue frott\u00e9e)\r\n- R\u00e9pertoire Tulekalan\u0101 - \"Ton village mon amour !\"\r\n- Tasia - r\u00e9pertoire Pilatule \"La danse des poissons\"\r\n- R\u00e9pertoire Moyotule - \"Le Toucan\"\r\n\r\nInedit: Jordanie. Chants b\u00e9doins, Chants de mariage, Chants des p\u00eacheurs d'Aqaba (cd,\r\nMaison des cultures du monde, 1998)\r\nSinging is considered the most genuine expression of Jordanian life; the instruments generally\r\nplay a secondary role, and those which are used imitate the sound of the human voice. Popular\r\ninstruments are the one stringed bowed lute (reb\u00e2b), the flute (n\u00e2y), the ten stringed lyre\r\n(simsimiya) and hand clapping (sahja) or feet stamping (dabkeh).\r\n\r\nRecorded by Pierre Bois, 1997\r\n- Jamal Khleif: Dahiya, samer (Chant B\u00e9douin)\r\n- Majdoulin Hattar, Aniseh Hattar, Rabita Hattar, Badiya Hattar: Ya Shajirat Al-tufah (Chant de\r\nMariage)\r\n- Majdoulin Hattar, Aniseh Hattar, Rabita Hattar, Badiya Hattar: Men Al-sabah L-al-'asr (Chant\r\nde Mariage)\r\n- Majdoulin Hattar, Aniseh Hattar, Rabita Hattar, Badiya Hattar: 'Alhajr Barra (Chant de Mariage)\r\n- Sufian Jaser Eid, Ayman Bashir al-Yamani, Muhammad'Abed Al Salh\u00een, Isma'il Mahmud\r\nAbu'Awali, Eid Abbas Muhammad Kayyal: Mawwal, Ughniya (Chant de P\u00eacheur)\r\n\r\nIran: Bardes du Khorassan - Chants et luth dot\u00e2r (cd, Ocora, 1998)\r\nKhorassan is Iran's extreme north-eastern province, highly ethnically diverse, with Persians,\r\nTurks and Kurds being the most important peoples. Bakhshi or bards are story-tellers,\r\ncustodians of epic chant and legends who accompany themselves on hand-made two-stringed,\r\nlong-necked lutes, the dot\u00e2r. They're trained to pass on a repertoire of songs of an amorous,\r\ndidactic, religious or patriotic nature, that comes from oral tradition, sung in Turkish, Persian or\r\nKurdish.\r\n\r\nRecorded by Ameneh Youssefzadeh, 1997\r\n- Mohammad Yeg\u00e2ne: J\u00e2n nes\u00e2r\r\n- H\u00e2j Qorb\u00e2n Soleym\u00e2ni: Jabb\u00e2r\r\n- Golnab\u00e2t At\u00e2'i: Sakine\r\n- Is\u00e2 Qolipur: Oldurme\r\n\r\nItalian Treasury: Puglia - The Salento (cd, Rounder, 2002)\r\nFrom a series of 11 well researched cds with outstanding recordings made by the famous\r\nAmerican ethnomusicologist Alan Lomax of the folk music traditions of Italy in the 1950s, this\r\ncompilation focusses on the Salento, the southeastern-most tip of Italy's heel in the province of\r\ndry, rural Apulia. Songs about harvesting, threshing wheat, love and 'tarantismo', a form of\r\nmusical therapy practiced by peasant women to cure the bite of the venomous tarantula-spider.\r\n\r\nRecorded by Alan Lomax & Diego Carpitella, 1954\r\n- Martano: A dove vai bella fanciulla?\r\n- Galatone: Lu Lazzaru\r\n- Martano: Stornelli\r\n- Gallipoli: Sutt'acqua e sutta iento navigamu\r\n- Galatone: E malidettu lu Cinquanta\r\n- Galatone: Pizzica\r\n- Galatone: Ninnarella\r\n\r\nHa\u00efti: Les 101 Nations Du Vaudou (cd, Buda Musique, 2005)\r\nIn the world of Haitian voodoo, there are 101 'nations', or families of deities (also called\r\nmysteries, 'loas', saints or angels), which are often named after African tribes or ethnic groups\r\nfrom where the imported slaves into the country originally came from. This cd captures the\r\nmusic of several ceremonies led by high priest and master percussionist Pierre Ch\u00e9riza and his\r\nensemble.\r\n\r\nRecorded by Luc Candardjis.\r\n- Pierre Ch\u00e9riza F\u00e8n\u00e8lus e.a.: Ouvre Bary\u00e9\r\n- Pierre Ch\u00e9riza F\u00e8n\u00e8lus e.a.: Signale Agouet Aroyo\r\n- Pierre Ch\u00e9riza F\u00e8n\u00e8lus e.a.: Rythme Rassemblement\r\n- Pierre Ch\u00e9riza F\u00e8n\u00e8lus e.a.: Rythme Mahi\r\n- Pierre Ch\u00e9riza F\u00e8n\u00e8lus e.a.: Rythme Petro"}]},{"id":1546,"created_at":"10.01.2019","updated_at":"il y a 3 semaines","order":102,"published":1,"parent_id":1,"image_une":{"id":1841,"ext":"png","name":"1547480125-travelogue01-pic.png","alt":"travelogue01 pic","description":null,"mediatable_id":1546,"order":1,"type":"une","mediatable_type":"App\\Article","created_at":"2019-01-14 15:35:25","updated_at":"2019-01-14 15:35:25","width":1600,"height":1200},"date":"11.01.2019","tracklist":"**Uchina: sounds of Okinawa Island (Winter & Winter, 2013)**\r\n\r\nA selection of songs from the Japanese island of Okinawa, talking about logging, harvest, the ocean and love. Remarkable instruments here are: sanshin (a three stringed lute with a snake skin body) and taiko (drums, e.g. shime-daiko). Recorded by Stefan Winter (2011) & Senri Miyazato (nr 2, 1981).\r\n\r\n* 1\/ Deigo Musume: kunjansabakui \r\n* 2\/ Festival voices: miyako nishibe yukui: michiyuki yonteru\r\n* 3\/ Keiko Higa & shimadaiko: nami \r\n* 4\/ Hajime Nakasone: amakaa\r\n\r\n**Kenya & Tanzania: witchcraft & ritual music (Nonesuch, 1975\/1991)**\r\n\r\nMusic from the Lamu, Giriama, Taita and Luo tribes of Kenya, used as medicine in witchcraft practices. Healing sounds from drums, the uta (one stringed harp), the nyatiti (eight stringed harp) and blowing the bung'o (horn).\r\nRecorded by David Fanshawe.\r\n\r\n* 5\/ unknown: nyatiti (Luo, Kenya) \r\n* 6\/ unknown: coconut pickers song (Lamu, Kenya)\r\n* 7\/ unknown: giriama spirit dance (Giriama, Kenya) \r\n* 8\/ unknown: ngoma ra mrongo (Taita, Kenya)\r\n* 9\/ kayamba dance: giriama wedding (Giriama, Kenya)\r\n\r\n**Tombe Ditumba: Musique des Luba-Shankadi du Shaba - Za\u00efre (MRAC\/Fonti Musicali, 1994)**\r\n\r\nDifferent samples of music from the Luba-Shankadi tribe of south-Congo (Kasai & Shaba provinces), related to hunting, dancing, work, birth, hospitality on specific instruments like the dikembe (thumb piano), madimba (xylophone), lusuba (mouth bow). \r\nRecorded by Jos Gansemans of the Royal Museum of Central Africa, Brussels in 1970, 1972 & 1973.\r\n\r\n* 10\/ unknown: chant de chasse buyanga \r\n* 11\/ unknown: chant pour piler le manioc\r\n* 12\/ unknown: chant pour les jumeaux mapasa\r\n* 13\/ unknown: chant narratif \r\n* 14\/ unknown: danse matolo\r\n* 15\/ unknown: duo de dikembe\r\n* 16\/ unknown: arc \u00e0 bouche lusuba\r\n* 17\/ unknown: berceuse \r\n\r\n**Gr\u00e8ce. Paralogues. Chants traditionnels (Ocora, 2006)**\r\n\r\nParalogues are traditional Greek narrative songs of epic nature, drawing from popular beliefs, everyday life and ancient myths. The selected songs talk about an evil mother-in-law; the Triha bridge; a young stone cutter who has only one hand; a bridesmade who became a bride and the return of an expatriate husband. \r\nRecorded by Greek national radio, 2005.\r\n\r\n* 18\/ Nikos Papavramides & chorus: kakia pethera (Pontos, Black Sea)\r\n* 19\/ Eleni Bairaktaris-Kotalakidi, Christos Bairaktaris & chorus: tis trihas to giofyri (Pontos, Black Sea)\r\n* 20\/ Doras Stratou choir: agourous petra peleka (Skyros Island)\r\n* 21\/ Savas Siatras: Tis Koubaras Pou Egine Nyfi\r\n* 22\/ D. Vagias, S. Kitsanelli, N. Sadedin, V. Gogos, V. Charisis & C. Litos: o gyrismos tou xenitemenou sizigou (Epirus)\r\n\r\n**Anadolu Ninnileri\/Anatolian Lullabies (Kalan, 2006)**\r\n\r\nLullabies (\"ninni\"), typically sung by mothers to soothe their children or put them to sleep, are one of the most characteristic genres within the musical culture of Anatolia (Turkey). They can be found across the various ethnic groups living in Anatolia, sung in languages other than Turkish, like Romani, Armenian, Judeo-Spanish, Sorani, Greek, Eastern Aramaic, Kurdish... \r\nCollected from archives by Kalan M\u00fczik, Melih Duygulu, Hasan Kuzu, Muammer Ketencoglu, Birol Topaloglu, Hadas Pal-Yarden.\r\n\r\n* 23\/ Melih Duygulu: Dandini Dandini Dasdana\r\n* 24\/ Muzaffer Akg\u00fcn: Adalardan Ciktim Yayan \r\n* 25\/ Tatyana Bostan: Bar bar genem \r\n* 26\/ Hadass Pal-Yarden: durme durme\r\n* 27\/ Ayfer D\u00fczdas: lay lay\r\n* 28\/ Sebnem Boral: zorik\r\n\r\n**Afghanistan untouched (Traditional Crossroads, 2003)**\r\n\r\nAfghanistan overflows with musical treasures; its lyrical instruments and haunting melodies are as astonishing in their variety and uniqueness as the ethnically dense country itself. An amazing collection of Tajik, Uzbek, Pashtun, Herati, Kazakh and Turkmen songs from a peaceful era, on instruments like dambura (long necked lute), doira (frame drum), zirbaghali (single headed pottery drum), ghichak (two-stringed fiddle) or dutar (long necked two-stringed lute) a.o.\r\nRecorded by Mark Slobin in 1968.\r\n\r\n* 29\/ Adam: Excerpt Of The Adam Khan Tale (Pashtun)\r\n* 30\/ Mohamed Qasem: Shirin, Shirin (Dutar Piece) (Herati)\r\n* 31\/ Khodai Qul: Guroghili Epic Tale Excerpt (Uzbek)\r\n* 32\/ Aq Pishak (w\/ Salaidin and Achel): Teahouse Songs (Uzbek)\r\n* 33\/ Adinabeg: Felak Song From Darwaz Region Of Badakhshan (Tajik)\r\n* 34\/ Zulaikha & Gulandam: Women's Wedding Song (Uzbek)","mixcloud_show_url":"https:\/\/www.mixcloud.com\/TheWordMagazine\/travelogue-11012019\/","link":null,"facebook":null,"twitter":null,"instagram":null,"related_article_id":1547,"start_hour":"15:00","end_hour":"","mp3_file":null,"recommended":0,"intro":"Travelogue, one of the newest addition to our team of residents, pays tribute to global traditional folk music, focusing on field recordists, ethnomusicologists and intrepid music collectors from Japan, Kenya, Tanzania, Turkey and Afghanistan.","soundcloud":null,"mixcloud":null,"bandcamp":null,"title":"Travelogue","text":"Travelogue, one of the newest additions to our team of residents, pays tribute to global traditional folk music, focussing on the work of field recordists, ethnomusicologists and intrepid music collectors. In this show, discover amazing music from Japan, Kenya, Congo, Greece, Turkey and Afghanistan!","slug":"travelogue","serie":{"id":1547,"created_at":"10.01.2019","updated_at":"il y a 1 mois","order":3,"published":1,"parent_id":2,"image_une":{"id":1842,"ext":"png","name":"1547480232-travelogue-pic.png","alt":"travelogue pic","description":null,"mediatable_id":1547,"order":1,"type":"une","mediatable_type":"App\\Article","created_at":"2019-01-14 15:37:12","updated_at":"2019-01-14 15:37:12","width":1599,"height":1200},"date":null,"tracklist":null,"mixcloud_show_url":null,"link":null,"facebook":null,"twitter":null,"instagram":null,"related_article_id":null,"start_hour":"","end_hour":"","mp3_file":null,"recommended":0,"intro":null,"soundcloud":null,"mixcloud":null,"bandcamp":null,"title":"Travelogue","text":"Travelogue presents traditional, acoustic folk music from around the world, by focussing in depth on outstanding records (vinyl & cd), released by specialised labels, ethnographic museums, radio stations and cultural institutions that record, collect and study the musical traditions of (indigenous) peoples and societies from all corners of the globe. This often endangered music is part of the intangible cultural heritage of mankind and needs to be preserved for future generations, as a celebration of cultural diversity, creativity and inventiveness. \r\nIn the tremendously vast field of folk music we travel in the footsteps of renowned music collectors and ethnomusicologists, whose aim was not only to study the structure of traditional music, instruments and vocal traditions, but to show also that in many societies, music is not an independent art form to be enjoyed for its own sake, but an integral part of the culture. In traditional societies, music accompanies every human activity, from the cradle to the grave. \r\nBram De Cock","slug":"travelogue-1","serie":null,"the_tags":[],"translations":[{"id":1547,"article_id":1547,"locale":"en","title":"Travelogue","slug":"travelogue-1","intro":null,"text":"Travelogue presents traditional, acoustic folk music from around the world, by focussing in depth on outstanding records (vinyl & cd), released by specialised labels, ethnographic museums, radio stations and cultural institutions that record, collect and study the musical traditions of (indigenous) peoples and societies from all corners of the globe. This often endangered music is part of the intangible cultural heritage of mankind and needs to be preserved for future generations, as a celebration of cultural diversity, creativity and inventiveness. \r\nIn the tremendously vast field of folk music we travel in the footsteps of renowned music collectors and ethnomusicologists, whose aim was not only to study the structure of traditional music, instruments and vocal traditions, but to show also that in many societies, music is not an independent art form to be enjoyed for its own sake, but an integral part of the culture. In traditional societies, music accompanies every human activity, from the cradle to the grave. \r\nBram De Cock"}]},"the_tags":[{"id":13,"parent_id":1,"created_at":"2017-11-13 13:59:45","updated_at":"2017-11-13 13:59:45","order":0,"name":"ethnomusicology","slug":"ethnomusicology","pivot":{"article_id":1546,"tag_id":13,"created_at":"2019-01-21 12:05:26","updated_at":"2019-01-21 12:05:26"},"translations":[{"id":13,"tag_id":13,"locale":"en","name":"ethnomusicology","slug":"ethnomusicology"}]},{"id":150,"parent_id":1,"created_at":"2017-12-22 20:08:59","updated_at":"2017-12-22 20:08:59","order":0,"name":"world music","slug":"world-music","pivot":{"article_id":1546,"tag_id":150,"created_at":"2019-01-21 12:05:26","updated_at":"2019-01-21 12:05:26"},"translations":[{"id":150,"tag_id":150,"locale":"en","name":"world music","slug":"world-music"}]},{"id":482,"parent_id":1,"created_at":"2019-01-10 23:29:47","updated_at":"2019-01-10 23:29:47","order":0,"name":"traditional folk music","slug":"traditional-folk-music","pivot":{"article_id":1546,"tag_id":482,"created_at":"2019-01-21 12:05:26","updated_at":"2019-01-21 12:05:26"},"translations":[{"id":482,"tag_id":482,"locale":"en","name":"traditional folk music","slug":"traditional-folk-music"}]}],"translations":[{"id":1546,"article_id":1546,"locale":"en","title":"Travelogue","slug":"travelogue","intro":"Travelogue, one of the newest addition to our team of residents, pays tribute to global traditional folk music, focusing on field recordists, ethnomusicologists and intrepid music collectors from Japan, Kenya, Tanzania, Turkey and Afghanistan.","text":"Travelogue, one of the newest additions to our team of residents, pays tribute to global traditional folk music, focussing on the work of field recordists, ethnomusicologists and intrepid music collectors. In this show, discover amazing music from Japan, Kenya, Congo, Greece, Turkey and Afghanistan!"}]}]